Sunday, 8 June 2014

Visual cultures bibliography

1
http://www.citrinitas.com/history_of_viscom/alphabet.html






http://www.channel4.com/programmes/mummifying-alan-egypts-last-secret/4od

Books

  1. Ancient Egypt by David. P Silverman
  2. Hieroglyphs and the Afterlife in Ancient Egypt by Werner Forman and Stephen Quirke

2




http://www.lordsandladies.org/bayeux-tapestry.htm

Books

  1. European Influences on Celtic Art by Lloyd Laing
  2. English Stained Glass by John Baker

3



http://www.thetudorswiki.com/page/Hans+Holbein+Paintings+%26+Sketches

Books

  1. Hans Holbein the younger by Jeanette Zwingenberger

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5




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Books

  1. Modern art Britain and the first world war by Sue Mallvern
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9






10




Books

  1. Revolutionary Beauty The Radical Photomontages of John Heartfield by Sabine T. Kriebel 
11



Books

  1. Creating the Modern Man by Tom Pendergast

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Visual Culture 12 - from 1970 to present day.

Documentary photographers from 1970 to present day


Documentary photography is a type of photography that antails the photographer recording historical or important and informative events. But on occasion for photographs to be considered to be in the documentary style they just had to depict real life.
The profession this type of photography would usually lead you too is photojournalism on an amatur or professional basis.
Documentary usually must be candid as this portrays the truth opposed to a staged scene, and the truth is the main objective or documentary photography. 

Chris Killip

Chris Killip was born on the Isle of man in 1946 and decided to pursue photography full time at the age of 18 2 years after he had previously left full time education. He became a beach photographer to earn enough money to eventually leave the Isle of Man, but these beach shots he had taken and some that were yet to be taken were to become now in the 21st century very famous and iconic in their own right. But it wasn't just his beach shots that were the best documentary photography he had created there was others in various different scenarios. 
Below i will show examples of his work:




















Martin Parr

Martin parr has been interested in photography for as long as he can remember. Ever since his grandfather would lend him his camera and help him develop and and print images, as Martins grandfather was an amature photographer himself.
Since then Martin became an avid photographer himself taking shoots all over, this lead him to become a member of the famous Magnum photography books. 
Now at the age of 61 Martin is still producing work for his own personal use and also for gallerys and companies. 
Examples of his work is shown below:






























Present day documentary photographer
Eve Edelheit

Eve is an American photographer who was born in 1988. She has gone into the profession of photojournalism and is based in St. Petersburg, Florida. The company she works for is the Tampa Bay Time.
On her website (http://eveedelheit.com/) she includes a lot of her work. There is a sub heading that states 'stories' and within that are 3 categories and i have chosen work from two of those to represent her documentary style.
The categories is 'more than a game'. The photos show an American football team during a match before and after and also celebrating too. below are a two images i have chosen.



























The second category is entitled 'Red, White and Blue'. This category contains images that were taken around the time of the 2008 election when it was neck and neck between Mitt Romney and Barack Obama. It shows the overwhelming support for both parties from everyday people. 
Below i have included some images i have chosen. 
















Through looking at documentary photographers from the late 20th century and from present day i can see the main objective and goals are the same but the differences are the things they are photographing are quite different. 

Visual Cultures 11 - 1950-1960 youth culture and pop art

Consumer culture in 1950's advertisements


During the 1950's the world was recovering from world war two. The way Americans lived especially after the war changed. They were living in a time where consumer values very much dominated the American culture and their economy. 
'The good life' was now the way every American wanted to live. To put 'the good life' into economic terms meant that there was more income and more leisure time.
This was because Americans truly believed the good way of living was going to last they wasted no time enjoying flashy cars, television and being able for the first time to be very open about their sex lives and sex in general. 


A prime example of consumerism in advertising is in car commercials. The car commercials during the 1950's depicted the good way of life. 
For this first time car advertisements began focusing on selling the 'experience'.
Instead of the short snappy visual experiences you see in todays car commercials. Back then they were very different. They were long winded and this was due to the fact the commercials consisted of a narrative describing the car in fine detail. 

unlike TV commercials, illustrated advertisements would mainly consist of the image, and the image would alway glamorise how good the 'good way of life' really was. Although there is text shown on the advertisements there is only a snappy slogan and model of the car in large colorful text the rest is shown in small black text.






The idea of being able to drive

After the war more metal to make parts were new available meaning new lines and models of cars were being created. This sent post war America into a new car boom.
People were now either getting rid of old cars they had during the war or were finally able to purchase their own car. 

When buying a car the customer wanted to see exactly what the car could do for them and this was exactly what people tried to get across in the adverts instead of just making the car visually appealing. The families in the suburbs were their main focus for these car commercials and advertisements. 
This was because people in the suburbs often had to drive to the cities to work. This was also a scenario that was directly used in the advertisements and commercials themselves. At the beginning they were targeting solely the working man, and the women at the time were meant to stay at home and take care of the household, this soon changed.

New commercials and advertisements targeted the whole family not just the men. The aim of these adverts was to say the whole family can have more freedom, that the mother could go out whilst the husband was at work, all they needed was a second car. 
An example of this is shown below in the commercial:

Ford car commercial.

Books

  1. Creating the Modern Man by Tom Pendergast

Visual Culture 10 - 1940's and 50's (second world war and cold war)

John Heartfield, photomontage and anti-Nazi propaganda


During the 1930's the Nazi's were starting to obtain more and more ground in Europe despite this a lot of people were choosing to ignore the threat of war Germany posed, rather actually choosing to take a laid back approach. 
One person who decided not to ignore and pretend it wasn't happening was John Heartfield. He decided to through the pieces of art he produced were photomontages decades before photoshop was invented. 

The image to the left shows John Heartfield (at the top of the image) doing Adolf Hitlers hair. 

















Blood and Iron

John Heartfields interpretation of 'Blood and Iron' portrayed through photomontage the image depicts bloody axes that formed the shape or the swastika.
















It was stated during this time that the German people would in the end be reformed through a combination of blood and iron.
In the year 1939 John created this piece of artwork shown above.
This photomontage is a perfect representation of 'blood and iron' in reality.

Piece and Fascism


The dove is a symbol of peace and has been shown in art as this symbol of peace dating back to as early as the 1400 and possibly earlier. The dove in the 'peace and fascism' photomontage shown to the left, is impaled on a knife that is attached to the end of a rifle, which was meant to represent the rise of fascism in Europe in the year 1930. In the background behind the dove is the league of nations building and on top of that building you can see a flag flying. The flag depicts the Nazi Swastika.









Other examples of John Heartfield's work is shown below:

















In todays day and age John Heartfield is considered to be the master of political photomontage and for good reason not only were his pieces of work amusing but they were insightful and informative even if other people were not ready to take seriously his claims. But as well as being all of the above they were still good pieces of art. 

The aftermath

After the war Adolf Hitler was finally defeated bringing and end to Nazism, John returned to Germany after previously having left and lived out is days in East Germany. His life's work was commemorated on a postage stamp to be enjoyed by millions. 


Books

  1. Revolutionary Beauty The Radical Photomontages of John Heartfield by Sabine T. Kriebel 


Visual Cultures 9 - 1930's USA

The Hollywood studio system

The Hollywood studio system was said to be created in the 'golden ages' by the collaboration of 5 different major studios, later to be known as the 'great 5'.
The Hollywood studio system is credited with creating the majority of the most iconic stars of the said, golden age. 
At the beginning of the studio film production there was a special scheme or system put in place that helped the development of very talented actors and actresses. This system was called the 'star system' it included  investing large amounts of money in the recruitment and training of fresh new talented stars and ending with a contract from the studio.

Breaking the sound barrier

Breaking the sound barrier was something that dramatically changed movies as the world knew it.
The use of sound in films brought the silent movie craze to a complete end in a matter or years. 
'Talkies', as the films were formally known, increased the number of people who would attend film screening, not by the hundreds but by the millions.
Due to the fact that talkies were not that good technically meant that the quality of the visual aspect suffered, but this wasn't such an issue as the majority of people became fascinated with the dialogue and lyrics that were so new to them.

The first successful talking film was entitled 'The jazz singer' and was released in October in the year 1927. 
The actor who starred in this production was Al Jolson who was a very popular singer of the time.
During the production he could be seen wearing black face paint. This is known as 'Blackface'

Blackface

Al Jolson from the film 'The Jazz Singer' in blackface make up.









Blackface make up was used on white people to imitate the face of a black person. In history this actually emerged in the mid 19th century and was used to put down the fear and morbid fascination with the black culture.
Black actors were not hired at the beginning of the 20th century therefore the blackface method grew very important for desensitising people.

Visual Cultures 8 - 1920's in Europe and Russia

Propaganda in graphic design and illustrations during the 1920's Soviet Russia

Propaganda

Propaganda is something governments use to manipulate and control the general public. The information used may or may not be true information. Propaganda is used to provoke the general public to do exactly what the government wants, without them necessarily knowing they are under the power of propaganda. 


The revolution

The revolution brought a new wave of various forms of art into the mix. Examples would be westernised culture, dada futurism, constructivism, surrealism. This lead to (especially in the early years) the propaganda posters that soviet russia produced being largely influenced by those movements.
Despite this the soviets poster did resinate its own style whilst still being influenced by other means. 



"A spectre is haunting Europe - the spectre of communism 1920"












This poster entitled "A spectre is haunting Europe - the spectre of communism, 1920" is a prime example of propaganda in Soviet Russia's posters.

Lenin was known as a great debater, who had a fire in his belly. This is well brought across within this poster by his stance, and him pointing. 
There is two main propaganda elements shown in this poster. 
One being the red banner, red represented the revolution in Soviet Russia. The second being the smoke stack which represented the industrial work that was said to help the country move forward to the future.


"Beat the whites with the red wedge 1920"













The picture entitled 'Beat the whites with the red wedge' is another prime example of propaganda poster.
Just like the previous poster this poster also contains a lot of red which again represented the revolution.
When you look at this poster it isn't hard to notice the massive influence of non soviet art movements. This poster is massively influenced by the new avant garde movement. This form of movement actually influenced a lot of other Soviet posters.

Propaganda although can sometimes be used in a bad way, was included in some very iconic pieces of art in the form of posters not only in the Soviet Russia but in other countries like America and Britain. 















Visual Cultures 7 - 1900- 1920

Art of the first world war and it's aftermath


As well as photographing the events that happened during the first world war, many artists would create pieces of artwork depicting things that happened.
an example would be a painting by Max Oppenheimer. Who painted an image of an almost naked man holding a wound on his chest. He entitled the image 'the bleeding man'.

'The Bleeding man'


















Although you see these paintings and you know that they are showing the death and suffering of men, there is something appealing and beautiful about the actual pieces of artwork. This is because a large majority of the paintings have very vivid color and this is considered to be a beautiful thing as bright colors are associated with happy things. 

Max Beckmann

Beckmann's name was one that kept popping up whilst i was researching war art. 
He is concidered to be a widley known as one of Germany's best 20th century artists. Beckmann was a figure painter by trait and during the war he took advantage of the world around him and painted his experiences throughout the war, political turmoil during the 1920's and 30's, the rise of nazism, exile in Amsterdam and his emigration to the USA.

Beckmann was in the action during the war serving as a medical orderly. This did have a profound psychological effect not only on his brain but his artwork also. 

'The Grenade'


















Propaganda posters



Propaganda was used a long time before world war one happened. But using propaganda on posters only came around as world war one did. 
Almost immediately from the start of the war the government started to produce posters to get the public to join the army to help the fight. The image to the left shows a British recruitment poster and below that there is an American recruitment poster similar to the British one.























The American recruitment poster above is one of the most iconic images from world war one. 
The poster would include short punchy lines that would make you feel like the poster was directly speaking to YOU, as though America or Britain needed YOU to help win the fight.
They would say things like 'Uncle Sam needs YOU', Join YOUR country's army' and 'God save the King'.



Aswell as the text the posters would also include drawings. The drawings were designed to convey pro-war messages and to seem to be looking at you, and also pointing right at you as you have seen from the two posters show above.

Books

  1. Modern art Britain and the first world war by Sue Mallvern

Visual cultures 6 - The late 19th century.

The birth of cinema






Whilst researching this topic you can instantly see that a lot of references will state and credit Thomas Edison for inventing the first motion picture camera in 1891, better known as the Kinetograph, Edison also invented the kinetoscope which is a peep hole motion picture viewer. 

The motion pictures grew in popularity fast and within the space of 10 years, single viewer Kinetoscopes were created. This meant that the target audience grew massively.

To the right i have inserted a picture of what a Kinetoscope looks like. 


Origins of motion picture 
The concept of moving images as entertainment despite what people may think was not a new matter when the late 19th century came around. Before the invention of the Kinetoscope, people would use magic lantern as a means of entertainment. The magic lanterns proved to be very popular.
The magic lantern would use glass slides with images which then would project onto a surface, a more primitive form of todays projectors. 
But this was not the only form of entertainment that was around before Thomas Edison invented the Kinetoscope. 



This is what a magic lantern looks like. 












Edison's first motion picture studio
Edison's first motion picture studio was entitled 'the black Maria'. This was a specially built motion picture production studio. It was entitled the black maria because of it having a striking resemblance to a police patrol wagon of that time. 
This studio had to be built in order to support the influx of new film subjects (new film subjects were vital to keep the public interested in the motion picture). 
The studios roof could be opened to allow sunlight in to illuminate the room. The building itself would move, it was mounted on a pivot this was so the studio could constantly be lit up by sunlight

The black maria (to the left)














The first motion picture recorded
The earliest recorded motion picture was entitled 'Fred Ott's sneeze' (Edison Kinetoscopic record of a sneeze, January 7th 1894).
The sneeze is from Fre ott who was an employee of Edison, it is said that fred sneezing commercially for the camera.



Visual Cultures 5 - The Nineteenth Century

The Nineteenth Century

http://photographyincontext.blogspot.co.uk/2013/03/documentary-and-storytelling-summary.html

The word documentary basically means story telling saying something as it is. 
The increasing popularity in documentary photography was due to the mass amount of press after WW2. 
Photographers then became a key way in everyday life of illustrating a story through this media format, educating in a creative manor as well as recording and documenting were the main goals of documentary photography. 

'Humanity in war'

'The american civil war 1861- 1865'











The photo depicted here is only one of many that are shown in the book 'Humanity In War'. All of the images are meant to illustrate the history of all armed conflict from the mid 19th century to present day.
The moment the world really started documenting what really happened on the front line, in all these wars and conflicts was the moment the public (that were not necessarily there to whiteness it first hand) could really truly see the horror of what really goes on.

Civil war photographer
by Mathew Bardy

Mathew was one of the most famous 19th century civil war photographers. Despite this is it believed that a large number of the photographs he is famous for were not actually taken by him, but were actually taken by employees of his. 
Mathew took photos of scenes at Gettysburg, Pennsylvania following an epic battle in early July 1863.

Although Mathew is considered as one of the greats of his time (mainly for war, documentary photography). He was not actually specialized in that field of photography he was actually a portrait photographer, taking many portrait or people and also himself. 















The pictures Mathew created of the war truly capture the suffering and the rawness of what war was really about.
Without these we might not have such an accurate idea of what war was like in the 19th century.
















Visual Cultures 4- 17th and 18th Centuries

 17th and 18th Centuries

Vermeer


Vermeer is now known to most as one of the 'great Dutch masters' which may be surreal to many as only 35 paintings by him are actually known. 
Influences
The earliest work by Vermeer from the 1650's included a vast amount of religious and mythological subjects.

The sheer fact he has only got few paintings to show for his life times work may suggest that he would work on each one for an extended period of time.

Style
He had a distinct life like/ realistic style to his paintings portraying light as you would see it in real life and also by focusing great detail and care with object placement and architectural space.
Bellow is two examples of Vermeer's work:

The Girl With the Pearl Earring

'The girl with the pear earring' is one of the most famous paintings by Vermeer. This is a painting i certainly grew up knowing about. I vividly remember seeing this in a year 4 art class during my primary school days. 


The painting (shown above) was originally called 'the girl with the Turban'. The name got changed half way through the twentieth century. This is said to be Vermeer's 'masterpiece' but it is often referred to as 'the Mona Lisa of the north' or 'the Dutch Mona Lisa'.

The girl in the painting is said to be Vermeer's eldest daughter believed to be round the age of twelve of thirteen at the time this painting was painted. 
Her facial features are said to appear in several of his paintings but because he used multiple techniques on the subject of his paintings, it does make it harder to compare all the females faces due to the women being portrayed in various different lighting and poses. 

When you look in depth at lots of examples of Vermeer's work you will notice a pattern. This pattern leads you to figuring out his main subjects. The main subject matter for his work is almost always women. Some would say it was obvious that he took a keen interest in women's various roles at the time. 
He would depict within within his paintings women maintaining the idealist way of life by keeping certain order within the household and raising children, all within christian values. 
Therefore arguing that women played a vital role in safe guarding tradition and moral values throughout generations.

 Rembrandt

Rembrandt again was one of the most influential European/Dutch painters of his time (1604- 1669).
His main style of work was painting people mainly in a portrait style and in his time painted more paintings than Vermeer.
Many of which were paintings of his friends and also scenes from everyday life. 

Wealth
He found great wealth early on with his paintings. These paintings showed stories from history, religion, poetry converted into intense drama.
An example is shown below:
















I have inserted a link that within it holds a whole number of Rembrandt's work:

In comparison to Vermeer you can tell instantly the similarities, in the way they painted people and in there surroundings within the painting. They both captured realistic light well and also paint people in a realistic manor. One difference i feel is predominant is that Rembrandt's paintings depict a lot of wealth and actually appear to be painting specifically to show that. 
I also notice that Vermeer's paintings hold a lot more color then Rembrandt's did. 

Visual Cultures 3 - The Renaissance

Hans Holbein the younger


"Hans Holbein the younger, self portrait about 1542-3. Florence"















As far as 16th century art goes, Hans Holbein the younger was one of the most accomplished portraitist. 
Although Holbein was born in Augsburg, in southern Germany 1497. He spent a lot of time and a large amount of his life in England (1526-8 and 1532-43). It was during this time that he worked for Henry the Eighth as well as other important people of that time.

Slideshow

This link takes you to a really good slideshow, showcasing some of Holbeins best work.

The ambassadors


"The Ambassadors 1533"


















This painting captures the essence of two young yet powerful men. The man on the left side is believed to be Jean De Dinteville who at the time this painting was completed was a 29 year old french ambassador to England in 1533. To the right of him you see his friend George De Selve who was a little younger that Jean at the age of 25. George was the bishop of Lavaur. On occasion he was asked to step in as ambassador to the Emperor, the Venetian Republic of the Holy See. 

The first thing you do notice when looking at this painting are in fact the two men but as you look at the finer details you notice the objects that are quite clearly strategically placed. The reason these items were placed there was to show not only how wealthy these two men were but also to show how educated they are and even shows their mortality in the elongated and distorted skull on the floor. 

More of Hans Holbein's work

http://www.thetudorswiki.com/page/Hans+Holbein+Paintings+%26+Sketches

Books

  1. Hans Holbein the younger by Jeanette Zwingenberger





Visual cultures 2 - The Medieval world

The Medieval world


Medieval Britain (Christian and Celtic Europe)

In the middles ages/medieval Britain most art were depicted through stained glass windows, books and other things of that nature. Quite a lot of the art was used as a means to tell stories. examples of this is the fact most books that were around at the time contained mainly pictures and little or no text. This was due to the vast majority of people not being able to read. The books themselves were sometimes called 'quick' (i.e. living) books because of this. 

A lot of different media types were brought together for one purpose and this was to try to explain stories and different aspects of the christian faith. A lot of this would happen in the churches.

Medieval art in churches


"1180AD stained glass canterbury cathedral.
The windows in canterbury evolved during the medieval period over several centuries into a collection which is considered to be one of the finest in Europe. The earliest shown above is one of the 'Ancestors of Christ' series of windows"




Cathedrals do display a wide range of architectural styles, from early gothic to the renaissance. One style that helped the churches during the middle ages was that they could enjoy enormous power and wealth leaving cathedrals to be seen as a dominant part of british society today.

Ascension of Christ


"medieval stained glass depiction of the Ascension of christ which associated old testament 'types' corona redemption window (corona I), c.1200-07."

The stained glass window shows "the depiction of the Ascension". You can clearly see Jesus Christs feet at the tio, disappearing into the clouds above. All whilst the "apostles" look up at him.
The scene being shown here is an Anglo Saxon tradition, it originates from early christianities representation of Jesus Christ ascending a mountain towards 'gods hand' or in fact' lifted up in a mandorla by angels'

Although there are other images in the stained glass the ascension of Jesus scene is central as it is most important to the beliefs of christians. 
Artists and craftsmen in medieval Britain created beautiful pieces of work to show religious scenes or important events that have stood the test of time and live on in todays day and age. 

Britains Bayeux Tapestry (museum of Reading)


The Bayeux Tapestry is preserved and displayed in Normandy, France. No one is completely sure where this tapestry originated from.
The first written record of the Bayeux Tapestry is in 1476. It was written down in the treasury records in Bayeux. What was actually written down was as follows:
a very long hanging on which are embroidered figures and inscriptions comprising a representation of the conquest of England"

Although the original version of the tapestry is in Normandy, France we actually have our own replica tapestry on display in Reading here in England. The replica was created by Elizabeth Wardle, the idea to create this replica was also her idea. 












In 1993 the newest Bayeux Tapestry gallery was opened the Tapestry was carefully places in a hug, specially designed glass case. This new display means the Tapestry can be viewed in its entirely


http://www.lordsandladies.org/bayeux-tapestry.htm

It is said that throughout the entire tapestry there are 623 people, 202 horses, 55 dogs, 506 other birds, animals some of which are mythical, 49 trees, 41 ships, 37 buildings, 57 latin inscriptions containing nearly 2000 letters.
The initial idea behind creating the tapestry was believed to be to record the Normans dipiction of the battle of hastings in 1066.




"This image shows a scene from the Bayeux Tapestry"


Books

  1. European Influences on Celtic Art by Lloyd Laing
  2. English Stained Glass by John Baker











Visual Culture. 1 - The Ancient World

1:- The Ancient World

Alphabet at that time and how it influenced today's alphabet

Many believe that the very start of the alphabet can be traced back to ancient egypt. The very first alphabet emerged around 2000 B.C. in ancient Egypt but by this point the basic alphabetical principles has already been included into Egyptian Hieroglyphs for a millenium.
The majority of other alphabets in the world today either descend from this single discovery or were inspired by its design including the phoenician alphabet and the Greek alphabet.
















"The rosetta stone shows the coexistence of hieroglyphs, hieratic script and the Greek alphabet in Egypt in the third century B.C."


The invention of written script in ancient Egypt

Ancient Egyptians believed it was vital to record and communicate information about religion and also the government. This would eventually lead to Egyptians inventing a written script to record this important information. 
The most famous of these scripts is hieroglyphs. This is the one that the majority of people today would know.
However over the course of the 3000 years of Egyptian  history the did create 3 other scripts. Each having their own purpose.
The 4 different types of script were used for things like preserving their beliefs, history and the idea of ancient egypt itself. The forms of script could be recorded on tomb walls, temple walls and papyrus scrolls.
















Nicely sculpted hieroglyphic signs on a piece of stone at the Louvre museum, Paris.


Scribes
Who were the scribes

Scribes were usually men who had learned to read and write. To have the right to do both of those things. To become a scribe you had to attend a school purposely built to teach younger people to read and write in hieroglyphs and hieratic scripts. It was said to be very complicated to learn and it came with a massive work load. 
It would take 4-5 years to qualify as a scribe and to become a scribe you must be the child of a man who is already a scribe themselves or from a very wealthy family.






A drawing of an interpretation of boys who were attending scribe school.


What writing was used for in ancient Egypt
Rituals

In Egyptian religious beliefs certain rituals had to take place, this was necessary to keep the gods happy. These rituals would be carved into walls and also would be handwritten in papyrus scrolls.

In government

In order to know how ancient Egypt was running and if it was running efficiently, the government officials kept records. This is useful to us now  as it gives us a better understanding of how ancient Egypt was run.
The government officials were in fact also scribes, they had been promoted to a higher position. One scribe after being promoted to be a part of the government was the promoted higher and became a Pharaoh.

In the army

Military leaders were trained scribes also. This was necessary for the military leaders as it made them able to communicate whilst at battle. 

In the Tombs

One of the most famous examples of written script from ancient Egypt that the majority of people today know if is carved text in tomb walls.

Ancient Egyptians built every Pharaoh their own tomb. The point of each Pharaoh having their own tomb was down to religious beliefs.
Firstly in order for the pharaohs to be taken to the gods in heaven once they die, they needed a place to keep their body and also their belongings until they were taken to the afterlife. 
Writing was also a vital part of the burial process also. Not only is the text beautiful artwork for the tombs decoration but it is also a ritual spell to help them get to the afterlife. 

Scribes write the script on the walls of the tombs and then the craftsman would carve the script out of stone. The spells are so vital to the burial ritual that once the craftsman has finished carving the script the scribe will check the work he has done and if it is not absolutely perfect they believed the spell would not work thus not helping their Pharaoh reach the afterlife.

http://www.ancientegypt.co.uk/writing/home.html - link to the infomation above


The book of the dead

The book of the dead is also a vital part of the burial process. Despite it's name the book of the dead is actually not a book but just a name given to a collection of different spells that were written down. The majority of these spells are directly linked to helping the dead reach the afterlife.

Most of the spells are found are written on papyrus and some on tomb walls. Altogether there are 200 found in total. 

http://egypt.mrdonn.org/bookofthedead.html - link the the infomation above



Examples of spells written on Papyrus from the book of the dead












"A representation of the Devourer, who waited to eat the hearts of sinners in the afterlife's Hall of Judgment. Papyrus of Ani, c. 1275 BC"
















"A depiction of the Opening of the Mouth ritual, in which a mummy is symbolically brought to life. Papyrus of Hunefer, c. 1280 BC."



A good documentary to watch regarding the burial rituals of the Ancient Egyptians is 'Mummifying Alan: Egypt's last secret, which i will add a link for below.

http://www.channel4.com/programmes/mummifying-alan-egypts-last-secret/4od

Books

  1. Ancient Egypt by David. P Silverman
  2. Hieroglyphs and the Afterlife in Ancient Egypt by Werner Forman and Stephen Quirke